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TRENDING: POTENT MIX OF RELIGION, POLITICS, MEDIA

Maintaining a clear separation between religion and politics, and sustaining a media free of pressure, is essential for pluralism, democracy, a...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

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Bully Bai and the mainstreaming of hate

Humra  Quraishi questions hate politics and the utter disregard for the Constitution of India by the fringe that is being...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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The genius of Jacques Tati

Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intel...

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